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For as long as we’ve wondered about alien worlds, we’ve wondered also: what might they sound like? In this hour of Stylus, we listen to eerie and otherworldly sounds, from the dissonant score of The Twilight Zone to the stranger-than-fiction story of Leon Theremin, a Russian spy turned accidental sci-fi pioneer. We hear stories of close encounters with alternate worlds, including the tale of a UFO sighting in rural Newfoundland and the myth of Sun Ra, a jazz musician whose extraterrestrial identity and reality-defying music became a political force.
"The Sound of Science Fiction" includes the voices of:
Gregory Whitehead, radio maker.
Keith Phipps, editor and founder of The Dissolve.
Joanna Demers, professor of musicology at the USC Thornton School of Music.
Ytasha Womack, filmmaker and author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture.
Hank Shocklee, producer, media theorist, and founding member of Public Enemy.
Craig Harris, composer, trombonist, and member of the Sun Ra Arkestra.
John Szwed, director of the Center for Jazz Studies at Columbia University and author of Space is the Place: The Lives and Times of Sun Ra.
Ellen Kranzer, co-founder of MASSFILC.
Sally Childs-Helton, percussionist and ethnomusicologist at Butler University.
Matthew Ebel, musician.
Douglas Brode, professor of philosophy and classics at University of Texas San Antonio and co-author of Rod Serling and The Twilight Zone: The 50th Anniversary Tribute.
Gabriel McKee, author of The Gospel According to Science Fiction: From the Twilight Zone to the Final Frontier.
April McLucas, movie expert at Videoport in Portland, Maine.
This hour was produced by Anna Cataldo, Zack Ezor, Conor Gillies, Qainat Khan, and Annie McEwen. It includes exclusive archival audio of Sun Ra courtesy of writer Mark Sinker. Our reading of “The Preserving Machine” was scored by Blevin Blectum. Thanks to Katherine Gorman and Erika Lantz for helping to edit the hour.
Our engineers are Mike Garth, Marquis Neal, James Trout, and Paul Vaitkus. Our intro music is by Ryoji Ikeda and our outro music is by Laurel Halo. Artwork by Robert Beatty.
Our executive producers are Conor Gillies and Zack Ezor and our supervising editor is Lisa Tobin. Presented by Qainat Khan.
Stylus is on Twitter and iTunes.
SCHEME TO SAVE THE FERRET RECEIVES £150K LOAN FROM PRESTON CITY COUNCIL
Charity calls on other councils to follow Preston City Council’s example
Fundraiser to secure the remaining investment closes on March 30th
crowdfunder.co.uk/p/own-our-venues
March 10th 2023 – ‘Own Our Venues’, the campaign launched by the charity Music Venue Trust (MVT) to make a radical intervention into the ownership of the UK’s Grassroots Music Venues (GMVs), has received a boost to its fundraising campaign thanks to a £150k loan from Preston City Council. The fundraiser will close on March 30th and the charity is now calling on other councils to follow suit by investing in the scheme.
High res image(s) available from here
‘Own Our Venues’, dubbed The National Trust for Grassroots Music Venues, was launched as a crowdfunded project by Music Venue Trust in May 2022 and is the first step in a long-term campaign to take control of the freeholds of music venue premises and bring them under a protected status of benevolent ownership.
The Ferret in Preston – a long-standing venue which has hosted artists such as Ed Sheeran, Alt-J, Royal Blood and many more – is one of nine venues highlighted in the scheme. Like The Ferret, 93% of GMVs are tenants with the typical operator only having 18 months left on their tenancy. This issue of ownership underpins almost every other challenge that GMVs have faced during the last twenty years including gentrification, noise complaints, under-investment, poor economic models, and an inability to plan for the future.
Cllr Rawlinson, Deputy Leader of Preston City Council said: “Live music venues are an important part of our city centre arts scene and without independent venues like The Ferret, local bands would have nowhere to go to get the experience they need, playing in front of a live audience.
“The Music Venue Trust have done a great job raising the profile of our struggling music venues across the UK. We felt that it was important that we did what we could to help support the Ferret’s campaign to raise the funds to purchase the building and stop it from being sold for commercial development. We wish the Music Venue Trust and The Ferret the best of luck in securing the funding they need.
“Having MVT as its new landlord would give the venue greater security and confidence in its future and allow the team to continue to invest in the city’s grassroots music scene.”
Cllr Peter Kelly, Cabinet Member for Arts and Culture said: “We are delighted to have been able to help Music Venue Trust and The Ferret with a loan to help meet their fundraising target and their plight to save the building from redevelopment. We hope that MVT can find the remaining funds and the venue can be saved for the residents of Preston, and all the local bands that have the venue to thank for helping them on their musical journey over the years.”
The ‘Own Our Venues’ concept is built on the Community Share model that has been so successful in saving and protecting local pubs, post offices and even sports grounds, and is seeking to acquire nine venues in its first phase. Further venue freeholds will then be identified and secured as and when they become available. On completion of purchase the venues will be offered an immediate rent reduction and help to contribute to building repairs and insurance, while also guaranteeing long term security and market resistant rents.
Since the launch of the ‘Own Our Venues’ initiative, hundreds of individuals, companies and organisations have already pledged their support to the project. These include high profile investors such as Ed Sheeran, Frank Turner and musician-turned-venue-owner Ben Lovett, alongside major music industry companies such as Sony Music Entertainment and Warner Music among many others. Arts Council England has also confirmed a grant of £500,000 to the project, which is not included in the crowdfunded total.
"We are delighted that Preston City Council are supporting our efforts to save The Ferret and move it into Community Ownership. Like The Ferret, the GMVs we are looking to purchase at this stage are at the forefront of the live music provision in their towns and cities - In fact, some are the only remaining live music venue. It is therefore imperative that other local Councils follow PCCs lead and support this campaign in recognition of these vital cultural and community hubs. We must Own Our Venues” said Matthew Otridge, Ownership Coordinator, Music Venue Trust.
£1.8m of the target total of £2.5m has already been secured and MVT aims to begin purchasing its first venues in April. Matt Fawbert, general manager of The Ferret, said “The biggest worry now, is that the property is in the hands of a private landlord, and they have put the property up for sale. It just shows, you can fight through the pandemic and you can get through all sorts of problems but the landlord could take this away at any point by selling the building. Help us save the Ferret, get involved now, let’s own our venues.”
The venues included in the first round are:
The Ferret, Preston
The Snug, Atherton
Le Pub, Newport
The Glad Café, Glasgow
The Hairy Dog, Derby
Sunbird, Darwen
The Polar Bear, Hull
The Palladium, Bideford
Bunkhouse, Swansea
Investments in the Own Our Venues initiative, which start at £100 and can go up to £100,000, can be made here, with a guaranteed 3% APR return on any investments.
Alternatively, those who would rather make a one off donation can do so here
-ENDS-
For further information
Consumer Media:
Sue Harris
Republic Media
Tel: +44 (0) 777 568 5376
Preston City Council:
Nicole Billington
Music Industry Trade Media :
Andy Saunders
Velocity Communications
Tel: + 44 (0) 7939 133050
The Guitar Show 2023 Breaks Record With Biggest-Ever Event
Indicating that 2023 is likely the year that the events industry returns to pre-pandemic form, the weekend of 25and 26 February saw the largest ever visitor numbers for The Guitar Show, along with a significant increase in exhibitor space. The move to a new venue – Solihull’s Cranmore Park – proved extremely popular, allowing for both electric and acoustic exhibition areas to co-exist on the same floor for the first time.
Among the highlights of the show, Marshall’s long-awaited reissues of the classic The Guv’nor, Drivemaster, Shredmaster and Bluesbreaker pedals received their first ever outing at TGS while Bonhams Auctioneers exhibited a number of highly collectible instruments from their upcoming Peter Green estate auction – including the Fleetwood Mac guitarist’s stunning Gretsch White Falcon,which goes under the hammer in June.
The Live Stage hosted perhaps the most diverse array of talent in the show’s history, with artists including Irene Ketikidi, Alice Cooper/Slash guitar slinger Ryan Roxie, Pendulum’s Perry ap Gwynedd and Joy Division legend Peter Hook keeping a rapt audience entertained throughout the weekend.
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Show organiser Jason Hunt said of the show, “I’m absolutely delighted with the response from both visitors and exhibitors to this year’s show. Everyone had a great weekend and I was particularly encouraged to see the trend of a increasingly diverse audience – in terms of ages, backgrounds and musical preferences – continuing to come to the show. I think it bodes well not just for the event but for the health of our industry.”
Jamie Clayton, Commercial Director from show retail partners Absolute Music concurred, commenting that “this was another fanatic weekend at the guitar show, which we’ve come to expect. The new venue was a real hit and the organisers have really created the perfect show for all generations of guitarists. Here’s to next year.”
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